Showing posts with label Jean-Charles Boisset. Show all posts
Showing posts with label Jean-Charles Boisset. Show all posts

Monday, June 15, 2015

Buena Vista Winery Re-dedication and the Wine Tool Museum

Mark Twain top center, not Colonel Sanders!
A Day of Dedications, Proclamations, and Historic Re-incarnations

On May 30th, 2015 I had the pleasure to attend the re-dedication of the historic Buena Vista Winery in Sonoma and the debut of the Wine Tool Museum. The event had all the earmarks of a JCB production: Fabulous food and wine and along with a serious element of history and reverence for the place in history Buena Vista Winery holds. The day unfolded around a splendid garden party with actors in period costumes and can-can girls that brought the era back in focus with period music and performances.


The sense of the past was palpable, although I originally mistook Mark Twain for Colonel Sanders. But it was a hot day and I blame the heat waves for the identity snafu. I realized my mistake when I asked Mr. Clemens for his secret recipe of 11 herbs and spices and got a blank look in return. “Aren’t you colonel Sanders,”  I asked?
“My dear, I am Mark Twain! Samuel Clemens if you will,” he replied.

Ack! My Bad. But it’s an easy mistake to make about a guy in a white suit and string tie.

This video below captures all the speech highlights and general atmosphere of the day.



The Wine Tool Museum 
The Wine Tool Museum hosts one of the largest collection of original implements and machines along with an interactive sound, light and motion show that traces the history of the industry highlighting the tools and original devices that made large scale production of wine possible.

If you visit on a hot day, it’a welcome timeout from the heat, a cool refuge in which to sit and reflect. Afterwards you can taste a few of the current vintages.

Preserving History
The final renovations are now complete at Buena Vista and it’s well worth a visit for both history buffs and wine-lovers. It’s remarkable to consider the effort that was taken to restore the winery to its original visage.  No expense was spared to address all the necessary structural issues and turn the property from sagging to sensational, and make the original building a living legacy to the history of wine. Cheers to JCB and his team for preserving a piece of California history and injecting it with new life and purpose.

 Long live Count Agoston Haraszthy!

+++++++++++++++++++++
Wine Tool Museum details:
Museum Tours daily by-appointment at 11 AM, 1 PM and 3 PM
Tours are $10 per person, and include a wine tasting.
See more at: http://www.buenavistawinery.com

Monday, July 21, 2014

A Rant and a Solution for the Wine Bloggers Writing Workshop


I attended the Sunday Writing Workshop at #WBC14 led by Mike Dunne, Jim Conaway and Steve Heimoff, the same guys who were on the Saturday Wine Writer panel I wrote about here. The Sunday workshop had problems in my opinion, so I’d like to offer a solution on how to fix it for future conferences.

Oh, and I’m going to rant a bit too, so read on.

The conference agenda described the Sunday workshop as follows:  “… a two-hour workshop on Sunday that will help wine bloggers with their tone and writing.”

The general advice given by the panel was sound—use proper grammar, check your spelling, gain command of comma usage, and if possible, get someone to edit your work.*  Yet when they got down to the actual critiques, it felt like the panel was scrambling to organize their thoughts on the fly and did not read the submissions completely. I’ve heard and read comments that many people in the workshop felt bewildered by the critiques. The panelists mainly evaluated the work for print publication, not the blog medium. (Which may have been the directions they were given. I don’t know.) But not all wine bloggers aspire to be print journalists. And once the panel discussed the economic reality of working as a wine writer, I doubt any will pursue full-time print writing at all.

For one submission, about winemakers in Istira, Mike Dunne advised the writer to avoid using weak descriptive language, but then he suggested the entire piece be re-written to focus on the use of Acacia barrels in the region. Yes, that would be lovely, but it was a profile piece on the winemaker, not the barrel program. How helpful was that to the writer seeking help improving a profile piece?

Next, Steve Heimoff commented on my wine tourism piece about DeLoach Vineyards and cautioned us not to “get spun” by our subjects. And then he added pointedly—“ Jean-Charles Boisset is not your friend. He does not care about you.”

What?

I was not even in Steve’s group, I was in Jim’s group. Later, via some back and forth on twitter, Steve said there is a fine line between advertorial and editorial and that my piece read like a paid PR vehicle. I can assure you I was not paid by DeLoach.

Steve Heimoff (shown right) with Mr. JCB, his friend, not mine apparently.

A journalist from the Press Democrat attended the DeLoach event and filed a story that was almost identical to mine in terms of content and facts, yet the tone was impersonal and detached. (As a  journalistic piece should be.)  My blog post covered the same facts but was imbued with my personality and experience. That's what blogs do! Enthusiasm and humor does not make it an advertorial.

You can compare and contrast for yourself. Here are links to both:
Press Democrat—DeLoach
Come For the Wine—DeLoach

I think perhaps Steve failed to consider who my audience is and may not comprehend that my readers understand my tongue-in-cheek sense of humor. I took his advertorial remark as that of the pot calling the kettle black given his new Wine Marketing Communications role at Kendall Jackson. Or maybe he secretly covets my plucky marketing acumen. (I’ll admit you can take the girl out of marketing, but you can’t take the marketing out of the girl.) But I know the difference between writing for an audience and selling to an audience.

The truth is, I actually do admire Jean-Charles Boisset and I think his efforts to create interesting, fun, and educational experiences for visitors to his wineries presents a model of wine tourism. My goal is to encourage travel to wine regions. People who read the DeLoach piece said it peaked their interest to visit. Thus, mission accomplished.

And for the record, I don’t have anything against Steve. We are quite similar really. I like hats and dogs and wine too. And unlike some bloggers ( see #7)* -- I don't think his is a doddering, out of touch, grandpa. Heck, we may be the same age for all I know. (Just don’t call my blog advertorial, Gramps!)
*Well, anotherwineblog.com in link above only said -- "grand-fatherly” -- not doddering and out of touch, those are my words.

End of rant.

Now, on to my suggestion for improving the workshop.

SOLUTION--

I think it was difficult for the panel to read so many posts and try to offer something concrete for each participant. Workshop was the wrong word to describe what the session delivered.

If WBC wants to offer this type of session again, I think the format needs to be recast as a PAID one-day pre-conference workshop and taught by a qualified writing instructor.

Workshop discussion topics could include:
*Framing a story
*Crafting a lede
*How to decide which form is best for your story
*Creating a compelling story arc
*How to write vivid prose and avoid clichés
*How to pitch stories
*How to work with editors
*How writing for the web differs from writing for print!!! -- Because it does! {Unicorns be damned}

The workshop should also include in-class writing exercises.

So what should something like this cost? I’d say around $200-$300 per person. This amount would be a massive bargain compared to fees for similar one-day writing workshops and help ensure the chosen instructor is compensated and worthy. No qualified writer would or should ever do this kind of thing for free.

Marcy & Steve on the advertorial/editorial slide.
--It’s a slippery slope.

By the way, the day you can't rant on your blog is the day the Internet ends.

* WARNING: this blog may contain typos, grammatical errors, and egregious misuse of commas.

Related Post: Impressions on the Wine Writers Panel at #WBC14 Buellton and My Hunch About Jim Conaway’s Next Book

Wednesday, June 25, 2014

Vive la France at DeLoach Vineyards -- JCB Comes to RRV




I’m drinking wine while a conga line dances to the beat of Michael Jackson’s Billie Jean and snakes around large wood wine tanks embellished with disembodied legs and heads. All around me I see Libertines, silent sentries from the French Renaissance, their eyes glazed, mouths in half-pouts. It’s not a fever dream. It’s another night in the world of Jean-Charles Boisset.

Every time I get an invitation to a Jean-Charles Boisset event I know I’m going to enter a world of pure imagination dedicated to the proposition that wine wrapped around education and pleasure is the key to creating a memorable and satisfying experience.

Last week I attended an event to showcase the reinvention of DeLoach Vineyards in Sonoma. The property has been re-cast as homage to France, but with both feet firmly planted in the good earth of the Russian River Valley.


Now at DeLoach you can participate in a variety of experiences including a blending session to produce your own wine, a guided tasting of vineyard designates that highlight the particular soils of the local vineyards, or you can learn about the world of wine and mustard and even make your own batch on premise. The mustard experience is in partnership with Fallot Mustard of Burgundy France and includes a flight of DeLoach wine. There is also a very intersting new experience called the Taste of Terrior.


The Appellation Room
The vineyard designate tasting is held in The Appellation Room that features a gigantic relief map to help you pinpoint the exact place the vineyards are located and understand the influence of prevailing fog patterns. This is the kind of stuff I love, but even if you are not a geek about soils, I think its one of the most relaxing and comfortable places to just sit back and consider each wine at your own pace.

The Royal Barrel Cellar is an illuminating experience
The Royal Barrel Cellar
A companion to the Appellation Room is the Royal Barrel Cellar with an energetic vibe and the most electrifying lighting experience that makes it truly feel like Wonka-land. Here you can taste barrel samples and ponder the life force of wine fermenting all around you.

Theater of Nature
Wander around the manicured gardens and groomed grounds to The Theater of Nature, where you can take a self-guided interpretative walk thru biodynamic and organic practices. This experience is comparable to the one at Raymond Vineyards in Napa, but DeLoach has far better views. Yes, I’m biased, DeLoach is practically in my backyard and I’m partial to the Sonoma scenery.

Taste of Terrior
Just beyond the Theatre of Nature, past an old growth stand of redwoods, is the garden that produces the majority of produce used in all the dinners and events at DeLoach. The garden path wraps past a spotless barn area housing sheep and chickens and then leads up to one the most interesting new experiences – the Taste of Terrior.

At the Taste of Terrior guests can compare Boisset Family wines from famed regions of France side-by-side with locally produced Chardonnay and Pinot Noir wines. The point is not to debate which is better, France or Sonoma, but instead to elevate the sense of place each presents and educate the palate all in one stop. It’s one of the only places to offer such a tasting in the entire country. I did not partake of the experience that night, but I am anxious to go back and check it out.

JCB Winery Lounge
For those of you who have visited Raymond Vineyards in Napa and long for the Baccarat crystal tank room, the decant JCB Lounge, and the members only Red Room-- don’t despair-- you can capture a similar sensation at the exclusive JCB Winery Lounge at DeLoach.



Jean-Charles Boisset is more than the Willy Wonka of Wine – he is The Pied Piper of Pinot Noir, The Grand Poobah of Grand Cru, The Sultan of Sustainability, but most of all he is The Purveyor of Pure Imagination and Pleasure.

Back in the Libertines Cellar, the music pumps, our wine glasses glisten, and the conga line grows longer as JCB admonishes us to raise our hands for yet another round of La lala! La lala! La. La. La!  The scene is so deliriously euphoric it’s like a nerve gas of sheer joy has been pumped into the air.

The message is simple: Enjoy yourself, revel in the excess, give yourself over to the absolute pleasure of wine. It’s a command, an invitation, and in the world of JCB--a credo.

No matter where you visit; be it Raymond Vineyards in Napa, Buena Vista in Sonoma, or now at DeLoach, you will eventually be compelled to give in and release yourself to the wine, the place, and the absolute pleasure of experience— JCB won’t stand for anything less.

Saturday, October 20, 2012

Back to the Future at Buena Vista Winery --Some Like It Boisset

Whenever I get an invitation to any event that is associated with Jean-Charles Boisset I drop everything, clear the calendar, and make sure I can attend. JCB events are never dull and always illuminating in ways one can't anticipate.



Just about six weeks ago I was invited to tour the grounds of the newly restored Buena Vista Winery in Sonoma and witness the first grapes placed into the new custom built wine tanks as part of the Grand Re-Opening Ceremony. I live tweeted the event and posted video and pictures, but for a full account afterwards it takes me some time to process it all and the writer in me needs to let it marinate, let the essence of the experience bubble up in to my conscious.  Others have written more objective accounts of the day (see links below) —but if you want the magical mystery tour of my synapses read on—

Back To The Future
Upon arrival at the property we were greeted by the Count of Buena Vista himself –well actually it was an actor portraying Count Haraszthy— who was our escort on a journey back in time to the birth of California winemaking.


We strolled the grounds with the Count who led us past historical markers telling the story of the family and winery as we made our way towards the inner courtyard. Then Jean-Charles Boisset appeared and took us deeper into the property by way of the tasting room and museum, the courtyard vortex fountain, and of course the cellars themselves.


No stone has been left unturned, un-reinforced or unpolished--literally. It’s a restoration of the highest order. Only a Hollywood plastic surgeon could work more magic on the old façade and restore it to its full luster and glory. From replanting the historic crops and trees and a complete re-engineering of the landscaping, to the total rebuilding of the cellar and tasting room— Boisset is moving Buena Vista back to the future and into the forefront of California winemaking and wine tourism.



There was ribbon cutting and sabering and cellar anointing. There was “Some Like It Hot” playing on continuous loop in the cellar. There was Tokaji, birthday cake, proclamations, and more celebrating. And of course there was wine.



Behind the Scenes of a Mastermind


In front of the cellar sits a fountain with a natural vortex used to dynamise the water for biodynamic practices. As I stood by the pool watching the flowers swirl by, I realized the mighty vortex of JCB had drawn me in once again. The master of events and spectacle had pulled another fabulous rabbit of wonder from his imagination filled hat. As usual I was curious about the work behind-the-scenes. I would dearly love to be a fly on the wall during one of the Boisset marketing and event meetings –I can just imagine the conversations that may unfold--

“We shall hang an alligator from the sky to commemorate The Counts tragic but awe inspiring demise in the jaws of a gator. Then we will feast upon gator meat and look death in the eye! Yes --we must honor Count Haraszthy --he is a hero, a super star like our modern day sports figures. Let us make him a modern hero, in zee modern fashion. --We must have zee bobble head made in his image!” 


Oh yes, The Count of Buena Vista bobble head. Such a thing exists. It’s sitting on my desk right now. Mine is imbued with mystical powers much like a Magic 8 ball and is able to answer Yes and No questions. I frequently consult it about the weather and fashion.

JCB is not selling mere wine, he is selling a sensate experience – a memorable affair that guests can savor long after the bottle has been opened—a memory that lingers in theater of the mind.

Dan Berger recently wrote a piece asking—“Is Jean-Charles Boisset the next Robert Mondavi?” I think in part he could be, but JCB is so utterly in tune to his own inner vision that whatever role he assumes will not be a replacement of Mondavi, but a completely unique interpretation and a legacy of his own devise.

Some Like It Boisset



While I watched the scenes of “Some Like It Hot” flicker on the cellar walls it occurred to me that JCB is so very much like the character Tony Curtis portrays on screen. He is the embodiment of the charm, the romance, the sophistication, and most of all the seduction. Some may not always understand his methods, but for visitors seeking an entertaining and educational wine experience—some will certainly like it Boisset.

I am looking forward to what Jean-Charles Boisset has to say about the state of wine tourism when he delivers the keynote at the 2nd Annual Wine Tourism Conference that will take place in just a few weeks in Santa Rosa. Wine tourism in all aspects is a great fascination of mine and I think his talk alone will be worth the price of admission.

Disclosure:
I am working on behalf of the Wine Tourism Conference to promote the event. But my opinions and utter fascination with JCB are entirely my own.

Details:
Buena Vista Winery is located at 18000 Old Winery Road in Sonoma.
www.buenavistawinery.com.

Other accounts of the event can be found here:

Saturday, October 8, 2011

The Theater of Nature at Raymond Vineyards: Growing Wine Tourism



Four months ago I visited Raymond Vineyards for an event I felt could never be matched for sheer over the top inventiveness. Well, I was wrong. I should have known better when I got an invitation to the debut of several new features at Raymond Vineyards and the opening of the Theater of Nature. A mere four months ago the Theater of Nature was just a notion, now it is a fully realized interactive educational experience about the process of organic and biodynamic farming.

The Theater of Nature
At the gates of the theater you are met by one of the three animatronic sheep that gently takes your hand in its mouth and leads you through the exhibit explaining the 5 Acts. It's an extraordinary experience, like a Disney fantasy come to fruition.

Oh wait... I think I may have dreamt that part about the sheep, but honestly if you've ever been to Raymond you'd understand. It is like a waking fever dream of genius and madness and love for the pursuit of pleasure and understanding of wine in all it's aspects.

The Raymond estate has quietly undergone a transformation led by Jean-Charles Boisset and the Theater of Nature is just the beginning. Raymond is converting over to biodynamic practices and they are in the transition stages of gaining Demeter certification for organic growing as well.

The Theater of Nature is an educational walk in the Bio-dynamic park presented in 5 Acts starting with the Soil and continuing around to include the Plants, Animals, the Vineyardist who farms in harmony with the laws of nature and the final act, the act of Wholeness that explains to guests the process of biodynamics and the convergence of earthbound and celestial forces that directly effect the growth and quality of the plants.


My favorite part of the Theater of Nature besides the sheep and the goats and the very cool cow, was the descriptor gardens planted with different herbs and fruit trees to illustrate the aromas and flavors associated with Cabernet and Chardonnay. You are invited to wander about with your wine in hand and taste the herbs, smell the fruit and determine what's in your glass accordingly.


The Corridor of the Senses
This new experience looks much like something out of the Roman Polanski movie "Repulsion" wherein Catherine Deneuve was grabbed by disembodied hands as she went down a hallway. In the movie it was very creepy, but at Raymond it's sort of Stephen King meets Lady Gaga. Large hands are mounted on the wall holding scent vials with red tasseled puff atomizers allowing you to inhale the aromas found in wine. Breathe deep. But keep one eye open.


The Rutherford Room
The Rutherford Room is where everything you ever wanted to know about the soils and AVA's of Napa Valley can be learned in a program developed by Karen MacNeil. Large glass apothecary jars display the soil along with a maps of the area. Now you can actually see what various soil types, such as volcanic, really means and get a whiff of it too.
The Red Room
If you thought the JCB lounge was jaw dropping (I wrote about it here), wait till you see the Red Room. Or wait till you become a member, I should say. The Red Room is a members only tasting room that offers an exclusive red wine blend and classic games, such as cards or billiards, set in posh red surroundings. Oh did I mention all the surroundings are red?  Yes, I believe I did.

Before you continue reading might I suggest you pour yourself a glass of something. Perhaps the Raymond Generations Cabernet, but anything will do really, you just need to get in the proper frame of mind as I introduce you to Napa Valley's very first Oompa Loompa. I am not kidding. Now go get that glass of wine. I'll wait here. Seriously, go get it you are going to need it.

Okay you're back...ready now... follow me to the Blending Room a.k.a Willy Wonka's Wine Factory.


Blending Room
Welcome to the black lit, disco balled, and ultra futuristic Blending Room with your host Tyson Madden. Mr. Madden is the blending master and resident Oompa Loompas in Raymond's version of Willy Wonka's Wine Factory. Under the direction of Mr. Madden guests will be able craft their own personal blends and then make a customized label on the spot using their own images or logo. You even get to wear a fetching silver robe while blending. I give it high marks for sartorial reasons alone!

The Grove and Outdoor Living Room
This area on the opposite side of the winery is set up for guests to enjoy their wine in an open and relaxing setting and also play some bocce, pétanque or croquet. The Grove with it's linden trees, cafe tables and little white lights twinkling in the leaves feels very much like a little bit of Paris. The whimsical outdoor furniture alone makes this an irresistible spot in which to enjoy the day.

Growing Wine Tourism
Wine tourism is a concept that encompasses many things, and what "wine tourism" means exactly is open for discussion. But for now, I think Raymond has all the bases covered and then some. If you think wine tourism means Education, check, they have it; Entertainment, it's there; Hands on Experience, got that too. Raymond gives the visitor an array of choices and environments in which to experience wine, be it from a quiet corner of an outdoor garden, or in the full on glitz and decadence of the Crystal Cellar and Red Room. It's all happening at Raymond Vineyards and you don't even need an E ticket to get in.



Sunday, May 22, 2011

Opulence? JCB Hez It! -- A Visit to Raymond Vineyards in Napa Valley


The wine revolution will not be televised—it will be shown live at Raymond Vineyards. And it’s going to be quite a show. Things are different here. Owner Jean-Charles Boisset has taken the venerable Raymond vineyards and sprinkled pixie dust all over. Boisset is the mastermind and ringmaster for some evolutionary new ideas in the experience of wine. But don’t let the wow factor fool you. There is some serious good wine here along with all the glamour and glitz. 


On Saturday May 14th I visited the Raymond Vineyards with a group of bloggers and wine writers and it was unlike any winery visit I’ve ever experienced before. It was a three-ring circus of wine, creativity, and decadence. 


Ring 1 –Tank Room and Crystal Cellar: The Baccarat chandelier in the Crystal Cellar steals the show, but once your eyes adjust to the low lighting there’s plenty more to see; stainless steel walls, a mirrored bar and a display of crystal decanters. The philosophy is kind of Forest Gump like in it’s approach—Beauty is what beauty does. Surround yourself with beautiful things and beauty becomes you. It seems to work. Who knew stainless steel could be so sexy? From the looks of it, Studio 54 is alive and well in Napa at Raymond. I half expected Dr. Frank-N-Furter from Rocky Horror Picture Show to pop out from behind a tank and purr in my ear “Give your self over to absolute pleasure!”  But instead Boisset arrived and the wattage of the room amped up considerably. Boisset is a bundle of energy, ideas and most of all showmanship. Take one part P.T. Barnum and one part marketing genius, (shaken, not stirred) and you have Jean-Charles Boisset.

In the warm glow of the candle lit Crystal Cellar winemaker Stephanie Putnam poured the current releases:
All of the Cabernets were exceptional examples of what Napa Valley is known for, but I liked the Rutherford best--Hearty, meaty, and balanced with sweet notes of blueberries. Very drinkable now and well into the future too.


Ring 2—Barrel to Barrel: Next it was time for the arts and crafts portion of the tour. We split into teams to decorate individual barrels that are part of Barrel to Barrel a new program for delivering a wine by the glass experience in restaurants and homes. The materials provided for the decorating were anything but traditional. Liberace would have approved. Hello! Leather, glitter, leopard prints, sequins, peacock feathers and marabou galore. I think a tasteful decoupage of wine labels might be a better approach. But hey…C'est la vie! 

While sipping the 2009 Barrel to Barrel Cabernet Sauvignon we set upon decorating the mini barrels. The end result included a sexy kitty, an ode to “Eyes Wide Shut” and an over the top Mardi Gras creation that took first place. If you want to try your hand at barrel decorating too, you will soon be able to visit the Raymond website to decorate one online and be eligible to win an actual barrel in real life. 

Ring 3—The JCB Lounge: As we entered the JCB lounge I had the feeling of Déjà vu. Where had I seen this place before? Was it in a scene from a movie? Boogie Nights perhaps? Gianni Versace’s home in Miami Beach? Possibly. Then it hit me…I’d seen it all before here in this commercial.





Opulence? JCB hez it! The JCB lounge had the same vibe going on-- Mirrors and gold statues? Check! Stack of gold bricks? Yup! A charming and charismatic leader with foreign accent and beautiful female staff? Check! Check! Check! Check! The mini giraffe was about only thing missing. Actually the JCB lounge is beyond opulent. It’s a sensory extravaganza of gold and marble and crystal and candles and glitz all grooving to a steady beat of Michael Jackson videos playing on the big screen. Honestly, you really must see it to believe it. 


This is where we tasted the JCB label wines, which are numbered and labeled with evocative terms. 
JCB No.81 Chardonnay—Alluring*Ephemeral*Insatiable
JCB No.7 Pinot Noir—Debonnaire*Charismatic*Seductive
JCB No. 1 Cabernet Sauvignon—Voluptuous*Opulent*Incorrigible

The Pinot from Sonoma coast fruit tasted true to it’s terrior with a light scent of lavender and mint and rich flavors of clove, blackberries and a bit of bacon fat too.


I have to say, I first found Boisset’s eccentric approach to the “wine of the mind” disconcerting. It seems nothing is too far-out or off limits. But then half-way through the tasting I found the energy of it all to be wildly creative and inspiring. I came up with several ideas on the spot, that I’m sorry to say, his attentive staff my now be charged with bringing to fruition. Sorry! (By the way--I think it would be great to spend a day brainstorming with Boisset and his team if they are interested.)


So, you might be thinking why all the theatrics? Are they trying to distract my attention from the wine? No, I don’t think so. I think it’s merely an attempt to deepen the experience and increase the enjoyment of wines that are already very good. But you can decide that on your own. Note: If you go to Raymond Vineyards be warned; the experience can be overwhelming. One of our group stabbed themselves during the barrel decorating session drawing much blood, and another got so carried away by the Michael Jackson videos, she lit her hair on fire in tribute to him. Proceed at your own risk. But do by all means proceed. Let go, loosen up and have some fun.

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